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“The Apology”: Memorable lines

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Sports Night 5

As a follow-up to the recap, here are some memorable lines from the Sports Night episode “The Apology.” Did I miss your favorites? Share them in the comments.

Dan: If I’m nervous about anything, it’s that I think I have a stalker.
Natalie: A stalker? Who?
Dan: One of the CSC morning aerobics women.
Natalie: Sandy?
Dan: Is her name Sandy?
Natalie: Randy?
Dan: Mandy.
Natalie: Mandy.
Dan: Madeline.
Casey: Natalie!

Casey: I’m concerned about this sense, this sense that everything that’s written about the two of us, that Dan is cool and I am … what is the word?
Kim: Not?

Casey: Dana, he belongs to a fly-by-night organization that supports the legalization of marijuana, and he said so in a magazine. Is the network going to be happy about it? No. Is Sachs going to order someone to order someone to slap him on the knuckles? Probably. In the scheme of things, a much larger issue is that I am cool, I’m completely cool, huh?
Dana: And you dress cool.
Casey: That’s right. Wait, that was a dig, wasn’t it.
Natalie: (from doorway) Casey!
Casey: What, you think it’s the clothes?
Dana: I think it’s the haircut.
Casey: Excuse me?
Natalie: She said she thinks it’s the haircut.

Natalie: I may have certain feelings for Jeremy. I think it’s possible that I have feelings. I think these feelings could interfere with my judgment as far as his work is concerned.
Casey: I admire your professionalism.
Natalie: These feelings have been growing inside of me like a rush or a surge –
Casey: I think that’s a little more than I need to know about this.

Casey: What’s up with me not being cool?
Dan: What is up with that?
Casey: I love music. I have a great appreciation of music.
Dan: Dude, I’ve been in your car. You’ve got the Starland Vocal Band singing “Afternoon Delight.”
Casey: That’s right. … Wait, I do not have the Starland Vocal Band. It’s not like I went out and bought the single. It’s on my “Time/Life Sounds of the Seventies.”
Dan: Well, there you have it.
Casey: (Sighs) How can I be cool again. I’m a newly divorced man, I’m young, I used to be cool, I need to be cool again. Help me be cool again.
Dan: Well, first I’d have to disabuse you of the notion that you were ever cool before.

Lawyer: This is a sports network. Our sponsors expect us to project an image of good health and clean living.
Dan: I’ll think about that next time I’m reporting on how the Miller Genuine Draft car did in the Winston Cup.

Dan: You think I should apologize?
Isaac: No, but you’re going to do it anyway.
Dan: Why?
Isaac: Because this is television, and this is how it’s done.
Dan: Well, sitting at the back of the bus was how it was done until a 42-year-old lady moved up front. I’m not very impressed with how things are done, Isaac.

Isaac: Danny?
Dan: Yeah.
Isaac: You know I love you, don’t you?
Dan: Yeah.
Isaac: And because I love you, I can say this. No rich young white guy has ever gotten anywhere with me comparing himself to Rosa Parks.

Dan: This network, the Continental Sports Channel, has asked me to clarify some remarks I made in a publication that hit your newstands this morning. It is possible that one could come away from this article with the impression that I don’t believe that drugs are a destructive and deadly force in our culture, our economy, and on the lives of our children. (long pause) I have a younger brother named Sam. Sam’s a genius, I mean literally. As a kid, he tested off the charts. The first computer I ever had, he built from a kit he bought with the money he earned tutoring other kids in math. He’s energetic and articulate, curious and funny, a great source of pride to our parents. And there’s no doubt that he’d be living a great life right now, except for that he’s dead. ‘Cause when you’re 14 years old, all you ever really want to be when you grow up is your 16-year-old brother. And in my case, that meant smoking a lot of dope. The day I went off to college was the day that Sam got his driver’s license. And he celebrated by taking a drive with some of his friends, drunk and high as a paper kite. He never saw the red light that he ran, and he probably never saw the 18-wheel truck that put him into the side of a brick bank either. That was 11 years ago tonight. And I just wanted to say I’m sorry, Sam. You deserved better in my hands, and I apologize.

Photo by Terri Mauro

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Studio 60 on the Sunset Strip was a show about making a show -- a Friday night sketch comedy living and dying by the ratings and the buzz and the bottom line. It also turned out to be about the ways that overinflated expectations and caustic criticism can doom a TV drama. Still, if you're a fan of great acting and Aaron Sorkin's way with dialog, there's a lot to love in Studio 60's sole season. Read here to look back at the show, and look forward at what the cast and creative powers are doing now.

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