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“Thespis”: Memorable lines

by Terri

Sabrina LloydHey, when I said the memorable lines for “Thespis” were still to come, I didn’t know they’d be this long in coming. There were some technical issues with the 451 Press servers over the last week-and-a-half that kept me from getting on here to post anything, and probably kept you from getting on here to see that I wasn’t posting. Is there a mischievous Greek ghost that screws up the Internet? Looks like we had our own Thespis at work.

At any rate, here at last are the lines I picked. Did I miss your favorites? Share them in the comments.

Dan: Dana, Elliot wants to know why there’s a 20-pound frozen turkey on the light grid.
Dana: It’s 24 pounds.
Dan: I’ll tell him that, but then he’ll probably just want to know why there’s a 24-pound frozen turkey in the light grid.

Kim: It’s a time for giving thanks, a time to share in the warm embrace of family.
Natalie: Right. You don’t want to take any crap from your mother.
Dana: I really don’t.

Casey: Jeremy. November 23rd — does that date ring a bell? And don’t go to the computer.
Jeremy: Don’t have to.
Casey: What is it?
Jeremy: It was on this day in 534 B.C. that Thespis stepped out onto the stage at the Theater Dionysus during a choral song and dance and became the first man to speak words as an actor in a play.
Casey: (to Dan) Tell me I was supposed to know that.

Isaac: How can he find the hospital if he hasn’t rehearsed the route?
Dana: Isn’t Douglas a radar officer in the Navy?
Isaac: Yes, and if we were scrambling F-16s, I’d trust him to find the flight deck of the USS Coral Sea. But we’re having a baby, and you can’t find Berkeley General unless you rehearse the route.

Dan: Today is our anniversary.
Casey: Jeez, Dan, that night in Minneapolis with the Jagermeister, we didn’t do anything untoward, did we?
Dan: You mean, did we get married?
Casey: Yeah.
Dan: No.
Casey: Good.
Dan: We recited the St. Crispin’s Day speech in the lobby of the St. Paul Radisson.
Casey: Was it untoward?
Dan: No, it was just embarrassing.

Casey: Impersonating my ex-wife never won anyone a place in my heart.
Dan: It’s an important day to me.
Casey: It’s an important day to me, too.
Dan: I don’t think it is.
Casey: How can I prove it to you?
Dan: Remembering it would be a step in the right direction.

Natalie: So Thespis is the Roman god of theater?
Jeremy: That’s exactly right, except he’s not Roman and he’s not a god.
Natalie: What is he?
Jeremy: He’s Greek, and he’s a ghost.

Dan: I remember what you were wearing. Do you remember what I was wearing?
Casey: I remember not thinking at the time that you were a woman.

Dana: I’m not gonna be beaten by a 6,000-year-old Roman god!
Jeremy: He’s a 3,000-year-old Greek ghost.
Dana: Well, I’m a 33-year-old television producer, and for one hour every night, this is my little corner of the world, and nothing screws up here unless I screw it up!

Isaac: Did a big frozen turkey fall down on the anchor desk during the last commercial?
Casey: Yes.
Isaac: And why?
Casey: Aw, Isaac, is there really an answer I can give to that question that will satisfy you?

Isaac: So you say a few words. You make a gesture. You remember an important date. Small price to pay for what you get in return. For what you get in return, it’s a steal. The rest is all vanity.

Dana: I’ve named this Thanksgiving it. I’m calling it, “The Thanksgiving of Mom’s Disapproval.” Included on the two-record set are the hit songs “Why Aren’t You Married?” and “Sports Is No Place for an Educated Woman” and “Didn’t Anyone Ever Tell You How to Cook a Turkey?”

Dana: (to Jeremy) For a guy who’s read The Hobbit 14 times, you’re not so dumb.

Elliot: Listen to this phone call I just got. Frank and Kathie Lee Gifford were accepting a humanitarian award over at the Sheraton. Kathie Lee got up to the podium, slipped and fell face first into a plate of tapioca.
Dana: At the Sheraton?
Elliot: Yeah.
Dana: All the way across town?
Elliot: Yeah.
Dana: Aaah! Ladies and gentlemen, Thespis has left the building.

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About Watching Studio60

Studio 60 on the Sunset Strip was a show about making a show -- a Friday night sketch comedy living and dying by the ratings and the buzz and the bottom line. It also turned out to be about the ways that overinflated expectations and caustic criticism can doom a TV drama. Still, if you're a fan of great acting and Aaron Sorkin's way with dialog, there's a lot to love in Studio 60's sole season. Read here to look back at the show, and look forward at what the cast and creative powers are doing now.

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